Help finding something on traditional germanic beliefs

Interesting.

I’m not familiar with Kaldera, but sounds very interesting, thanks for the heads up.

I do really like some of Thorsson’s work, esp soul as a psychosomatic complex within a germanic/european context.

Very much agree with whoever advised caution, esp for 20th century material. Though, I would also add caution for most of the “Viking Age” material as well.

Personally, I think that this is the same as every other aspect of rewilding: reading is great, but it’s no substitute for hands on experience.

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ok, so i’m going to assume a basic knowledge of northern cosmology, and i’m actually going to start in the middle of the story, at the events leading up to rangarok.

ultimately at the final battle, you have four major worlds of beings colliding:

-the jotnar, or etins, giants who are the primal spirits of wilderness and untamed nature.

-the aesir, who were originally pastoral gods, but now representing the surviving northern culture in it’s currant manifestation.

-the vanir, who are agricultural gods.

-hel, the world of our deceased ancestors.

from my understanding, the aesir split from the jotnar when they killed the primordial giant ymir. they formed the worlds from his remains. not being agricultural gods, the aesir can be seen as a mixture of wild hunter gatherer and pastoral society, their ultimate progenitor being the cosmic bovine audhulma, and the fact that horses play such an important roll in the pre-vanic society. the tribe of the aesir is on neutral terms with the giants, as almost half of their members have giant blood, thor himself being 3/4 jotun. odin himself seeks much of his wisdom from his old giant uncle mimir who he sacrificed an eye to for the gift of omniscience.

then, after the worlds are created, a new tribe of beings enters the cosmology, the agricultural vanir. the aesir of course war against these new peoples and after a long and bloody war, they are forced to make peace. one of the conditions of this truce is the exchange of hostages. the vanir send over their gods of fertility, njord and nerthus and their twin children freya and freyr who replace the original earth goddess jord and encroaching on the roll of her daughter (and odins wife) frigg as the divine feminine figure.

in exchange for this the aesir send over their most trusted chieftan honir with the old jotun giant mimir. when the vanir find out where honir gets his insightful advice from, they chop off mimirs head and send it back to odin, who revives it and continues to seek advice from it.

now odin is in a tricky position. he understands that he has made an uneasy truce with the agricultural gods and that they are now in his own tribe as well, which makes them as much family as the giants are. but adopting the agricultural powers into his own tribe means the subjugation and slow destruction of the giants. even hel is quickly filling up with all the angry dead who suffered from the cruelty of agriculture. what can he do but prepare for the destruction of the worlds and except his fate. after all, his main responsibility is to preserve and protect the northern cosmology and if he sides with the jotnar, the aesir will surely be overrun by the vanir. so he bides his time and takes measures to ensure the survival of the old ways to the best of his abilities.

unfortunately, this means he needs to keep the dangerous jotun powers inside his own ranks subdued until the final clash of ragnarok. for instance, his dear trickster jotun blood brother and fellow aesir (i think the spelling is actually “as”, since it’s singular
?), loki, has 3 children, all with the growing potential of incredible destructive power. one is the giant serpent jormungandr who odin throws down to the outskirts of the world, where he grows so large that he encircles midgard (the world of men) to the point where he bites his own tail (anyone see the intense mythic imagery here?). the next is a giant girl named hel, half of her being withered and decaying as a corpse, half of her beautiful and lively. odin places her as keeper of the spirit world, a decision that seriously effects the outcome of the ragnarok later on. the last is a wolf cub named fenrir, who is seemingly powerless and who odins son tyr takes under his wing.

but the cub grows far to large and wild to keep, so odin decides he needs to bind him so he won’t go AWOL. this proves hard to do, so eventually the aesir corner the wolf and come up with series of chains that wolf keeps on breaking. eventually they come up with the ribbon which was named gleipnir (the “open one”) that was literally made out of things that don’t exist, things like the nerves of a bear, or the sound of cats foot steps, or the breath of a fish. in this way, since they aren’t “real” and yet exist as concepts, they are literally unbreakable in a physical sense. the aesir tell the wolf that if he breaks this last and clearly feeble fetter that he will have rightly won his freedom. the wolf, sensing treachery, asks for someone to place an arm in his mouth so that if the fetters hold, that he will be able to bite off the arm in revenge. no one dares to do this but tyr, the one who raised the wild jotun as a pup and the one who he most trusts. the wolf ends up taking his arm. for me, this mythical imagery is particularly applicable to rewilding and civilization.

now that loki’s children have all been bound up or cast out, loki of course seeks rightful revenge, and we should remember that he does not have the foresight that odin has of ragnarok. odin had a son who was so flawless and beautiful that he was named baldr, the “shining one”. baldr had a dream in which he was killed and so his mother frigg went about getting pledges from all the beings of the nine worlds that they would not harm her son. all beings except a young shoot of mistletoe who frigg thought too be to young to make any strong vows. loki learned of this and, finding the mistletoe, tricked bladr’s blind brother hodr into killing him with it.

hodr was then killed and loki fled but was later caught (as a salmon in his own net) and bound to rocks with the intestines of his son narfi. a snake is placed over him that drips venom but his wife sygin collects the venom with a shell and when it is full she dumps out the venom, a few drops land from the snake onto loki. his writhing when this happens is felt by us as earth quakes.

eventually all of loki’s children revolt. loki frees himself somehow and goes to the realm of his daughter, hel, and rallies the angry spirits of the ancestors against the aesir and vanir, all of this amid intense ecological upheaval. the giants come out too and manage to organize themselves into an army strong enough to take down asgard, the home of the gods. fenris gets loose from his fetters and ends up devouring odin. all the gods are killed except a few. thors sons magni and modi survive and the brothers hodr and baldr come back from hel and reside in their fathers house. they find odins runes and thors hammer in the ruins of the battle.

but of course odin had been waiting and preparing for this all the time, and when he heard the giants approaching, he took two of human kind (male and female) and placed them deep in a forest where they wouldn’t be harmed so that they would live into the new age.

*and i’d like to add that in both of the most important sources of northern lore (both the prose edda and the earlier poetic edda) it is emphasized that after ragnarok, “fields unsown grow ripened fruit” and that “self sown acres of crops will then grow”. if that doesn’t hint toward a future without agriculture, i don’t know what does ;D.

aaand i 'd like to mention the parallels between the relationship between the pastoral proto indo-europeans of the steppes and the hunter gatherers or the ural mountains and how the jotnar and aesir reflect that relationship aaaand how the vanir might represent the agricultural people of europe that the proto indo-europeans later clashed with and then slowly mingled with until they formed the cultures of the later indo-europeans. i don’t think i need to point out the similarities between the final days of the aesir, ragnarok and our modern times.

for me these myths make a huge “click” in my mind, even on a daily basis. basically, this all boils down to a truce that my ancestors (and odin?) had to make with the agriculturalists in order to keep at least the vital parts of the wisdom of their traditions alive, eventually into modern times amidst the chaos of civilization and the destruction of the planet.

i apologize for my terrible grammar.

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Wow - that is quite a summary :slight_smile: - Some things sounds a bit far fetched, but overall, it really seems like the nordic mythology holds the same kind of hints to the “agricultural revolution” as the bible does.
The post-ragnarĂƒÆ’Ă‚Â¶k scenario is interesting indeed. It has a lot in common with christian genesis-paradise actually (two humans in a forest with edibles growing by themselves). Just here it is at the end of the mythology not at the beginning, though in a way it is also the beginning.

Ancient mythology has a lot of circular times, that is something one has to accept, I guess. It always seems like the storytellers did not have a linear time concept, so that what is in the future is also in the past and vice versa.

From that perspective it is also interesting to note, that many mythologies seem to have similar elements, just at different ends of the “timeline”.

I read an interesting book once about mythology. It was also very convincing in terms of the apocalyptic visions shared in many mythologies around the globe. The basis of it is, that a comet struck Earth at around 10.000 bc. Many stories of apocalypse, ragnarĂƒÆ’Ă‚Â¶k, the rapture but also of creation, genesis do fit into the events that one would expect from the aftermath of this (fire from the sky, darkness, colored rain, crops dying, tsunami, light coming back, plants coming back, animals coming back,
).
Its quite interesting, esp as they have found geologic evidence for such an impact recently.

It kind of makes me wonder if that event actually caused some people to become mad from PTSD and founded the kind of destructive culture we see.

Anyways - I am straying OT. :wink: - While nordic mythology is not exactly german mythology, I think they probably share a lot and I like your summary. :slight_smile:

most of what we know about germanic mythology (the term “germanic” refers to all the peoples who speak a germanic language, norse, german, dutch, all those guys) only survived in the scandinavian places, or at least the meat of it. we don’t actually have nearly any real myths from continental germany, just folk stories (thanks to the brothers grimm), place names, and vague inscriptions from romanized germany witch only mention certain deities and so only point towards their functions and all that. the actual myths we have now come from the farthest reaches of the germanic peoples in the north, like iceland, and even then, those scholars were christians, not heathens, and were only piecing together the fragments that had survived where they lived. i mean, one of the most famous of these scholars, Snorri by name, had a theory that the myths were really about the descendants of troy that settled in europe ::)! but the basic skeleton of the myths was evidently common all over europe, so the peoples of southern germany would have had the same basic mythic imagery as the peoples of iceland, give or take a few names for certain deities and a few cults, like northern odhin equates to wotan of continental germany (although the name wotan goes waaaaaay farther back than the more recent “odin”).

and there is always the danger of certain aspects of the lore being reinterpreted to accommodate the beliefs of the scholars who recorded it. even what we know about the old beliefs of the continental germans comes from roman historians (like tacitus), who blatantly romanized what they recorded. and it’s interesting that tacitus had the same “noble savage” approach to these people as modern civilized historians have had towards indigenous peoples.

but, even with all these obstacles, we’ve been able to work out the basic framework of these myths, with a few chunks of meat here and there. we know for example that the idea of ragnarok and the two female and male survivors and progenators of humans were an old and universal concept of pre christian germanic beliefs.

but what you said about most ancient cultures having a circular concept of time, i think, is actually a plus. i mean, it keeps us connected to the cyclical nature of things rather than having this false concept of “progress” that we get with linear time. cyclical time basically keeps things returning to where they came from, with respect to where they came from, rather than developing the linear concept of manifest destiny that cultures who operate in linear time seem to develop.

but the beginning of the mythology does actually have things growing by themselves.
infact, the world tree yggdrasil, the central supporting structure of the cosmos, grew by itself with roots that reach where “no man knows”. as things evolved (notice i shy from using the term “progressed” ;)), yggdrasil (which means “odins horse”) seems to have simply grown of it’s own accord with the development of the worlds. the whole germanic concept of time is also connected to this via the norns who also have a past beyond time, who nourish the tree with the waters (and i think some sources say mud) from the well urd.

originally, all life came from a meeting of hot and cold, fire and ice. these things all “grew” of their own volition, without the gods. the gods never created the universe, but were produced by it, and only created the worlds of certain beings. and as i pointed out in my previous post, the gods are cultural gods, not only of humans, but of all the peoples (other than humans as well!) in the nine worlds they created. the vanic gods are foreign (and this isn’t just my interpretation) cultural gods of their own right, and literally imposed their culture of agriculture on the nine worlds aaand it’s only after this that odin learns of ragnarok and imbalanced strife develops within the tribe of the aesir and throughout the different worlds.

but the fun of all of this lies within it’s interpretation. i’m not saying my interpretation is universally the “right” one. and of course i’m approaching all this with the intent of “rewilding” it, which means that my interpretation is totally influenced by my intent. as joseph campbell liked to say, all good myths have infinite layers of interpretation but also a timeless truth.

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I just wanted to say that my opinions on this whole topic have changed radically, too radically to address here. For the record, these ideas do not represent my thoughts as they are now. It’s been a while since I posted this and I kind of regret posting it now. Just goes to show how all ideas are subject to evolve and change. Ho-hum. :-[

Maybe you could enlighten us just a little bit? :smiley: :smiley: :smiley:

:smiley: :wink:

Like I said, I think I’ll start a blog about it. I’ve got plenty of material from a journal I’ve devoted to this topic, but I don’t think this was the place for it and I apologize for taking up unnecessary space. I’ll let you all know when I put it up.

Have you ever heard of the Bloody Verdict of Verden (search Massacre of Verden on Wikipedia)? It’s cited as the single most important event in stamping out traditional Germanic paganism / shamanism. Thousands of spiritual leaders were executed by the Christian emperor Charlemagne backed by the bloody Holy Roman Empire. It’s really tragic.

Another interesting source could be the book “Dreamtime : Regarding the Boundary Between Wilderness and Civilization” by Hans Peter Duerr. Maybe I’m just imagining things because the author’s name is German, but I believe he talks a lot about traditional German (or if not specifically German than European in general) healers and spiritual practitioners. It’s a fantastic, utterly astounding and intelligent treatise on natural spirituality vs. civilized culture. Reading it will definitely give you some perspective on the lost traditions lying beneath the concrete and corn rows.

Any sagas would be a good place to look too.

The Sacred Texts archive has these two things. First, a long first-hand description of the ancient German people written in the first century by Tacitus, a Roman scribe, which will give you a good view of their traditions though it’s from an imperial source and he substitutes Roman deities for indigenous ones (though you can infer the universal characteristics being worshiped). That’s here:

http://www.sacred-texts.com/cla/tac/g01000.htm

Secondly, a list w/ descriptions of the festivals of West Germany, laying out how they worshiped the cycles of the year and other special events, highlighting pagan roots and mystic symbolism (as you could with American holidays such as Christmas, a mockery of the pagan Yule, the Darkness Before the Dawn–the Christmas Tree a modern version of “bringing in the greens”, another Euro-pagan tradition–see “The Golden Bough” for an exhaustive exploration of holidays and their traditional roots). That article, Festivals of Western Germany, is here:

http://www.sacred-texts.com/etc/fwe/fwe06.htm

Hope that helps! Dig those roots!

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It seems that your previous beliefs/ interpretations of the Norse stories closely parallel what I think now, except that I see Odin and Thor as traitors to their indigenous ancestry and thus, I do not recognize them as authorities or trust them. I am against all “gods” and for the Ents (norse - Jotnar) and Elves - the oppressed. Spiritual beings from other cosmologies, I respect upon a review of what is said about them. Santa Muerte (Nahuatl: Mictecacihuatl), who is a close parallel to Hel, gets my trust. In theory, I could trust many beings who I have not personally met.

I’ve recently started looking through The Germania by Tacitus. It’s hard to gauge how much is shitty propaganda and how much is genuine, since Tacitus was a bloody Roman. But I found this last night and thought it was relevant:

"The Germans do not think it in keeping with the divine majesty to confine gods within walls or to portray them in the likeness of any human countenance. Their holy places are woods and groves, and they apply the names of deities to that hidden presence which is seen only by the eye of reverence." - Tacitus, The Germania
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Beautiful quote, Peter. It absolutely supports what I have been finding as I dig deeper into Germanic Heathenism, and explore where it’s beliefs meet my own.

P.S. Does anyone have a link for “Thunder Thighs’” blog?

In the book When They Severed the Earth from the Sky, Linguist/anthropologist Elizabeth Wayland Barber, and her folklorist husband Paul T. Barber offer the following idea:

“In Norse Mythology, gods basically do good deeds, while giants do evil ones. The gods bring fertility and life, whereas the giants–many of whom are “frost giants” (quite understandable in the Far North)–bring harm and devastation to both gods and men. This differentiation can get quite specific. Thus Thor is the valiant storm god who brings life-giving rainstorms while his lightning smites your enemies (evildoers all) and destroys their crops. On the other hand, Thiassi is the evil storm giant who blasts you with lighting and destroys your crops with floods. In short, Thor and Thiassi here represent the positive and negative aspects of the same phenomenon.” pg. 55-56.

Any thoughts? Personally, I feel their explanation is too simple. For example, I can easily think of Mt Hood as a giant (or giantess) with both a “negative” side (possible volcanic eruption endangering nearby communities, cities and infrastructure) and a “positive” side (rivers, bull run, beauty, water supply, etc). But I consider both the “good” and the “bad” to be very much aspects of one “entity”. And I also realize how human-centic that list of aspects is.

I think “giants” transcend human notions–they were here before us, and will be here after us. Whereas gods seem more of a human construct.

I don’t know enough about Norse mythology yet to speak with any confidence, but when I was listening to an audio reading of some of the stories, I was struck by how the city-language used to describe Asgard and such, resonated much less with me than the rugged, wild forests and mountains where the giants live.

I agree with your observation, Jessie.

I haven’t read a whole lot of Germanic/Norse material yet either, but I’m working on it. And I was very happy to come across an Asatru book recently that mentioned the validity of a Heathern path that honors/works with the giants and land wights specifically–instead of the gods. (This brings Heathernism into Animistic territory!)

Pretty much everything else I have seen written about Heathernism has been very gods-centered, so this was refreshing to read. BTW, I have noticed that both Neo-Celtic paganism and modern Heathernism tend to emphasize anthropomorphisized gods, but that appears to be a more recent approach that came about though Roman/Classical influence. As soon as the Romans started trying to equate their gods with Germanic or Celtic gods, they started building temples and statues throughout Celtic and Germanic lands to represent and/or worship those gods. Heathern and pagan artists have been drawing, painting and/or sculpting humanoid representations of the gods ever since.

What’s the title & author of that book?

ñ€ƓEssential ÁsatrÃÂș : walking the pathñ€, by Diana L. Paxson. The Multnomah County Library has a copy.

And like I said, it only briefly mentions an animistic-Heathen path, but the book also has some religious history for Germanic and Scandinavian countries that’s worth reading.

I want to cross-link to another forum thread that clicketyclack started: “Topic: Critique of paganism” , at http://rewild.com/index.php/topic,1886.msg17472.html#msg17472 . The following article is linked there, and definitely has relevance to this discussion.

https://hastenthedownfall.wordpress.com/2015/03/26/to-rust-metallic-gods-an-anarcho-primitivist-critique-of-paganism/

It is interesting how little hints and details keep appearing once you start paying attention.

I’ve been reading a book about the traditions of household spirits in old Europe. Somewhat scholarly, but lots of things about the “old ways”, such as making peace with the land wights when you build a house, and the rituals associated with the care of household spirits, as well as protecting the house from negative spirits. There were many traditions that invoked protection at the corners of the house, and windows and doors and other openings–especially the chimney.

The fireplace is of course, the hearth, which was central to the lives of ancestors. Daily life revolved around the hearth’s warmth, cooking, heating water, as well as just spending time with family and friends there, maybe listening to and telling stories, or playing music. Or just gazing at the flames. The health and prosperity of the house were tied to the hearth, and the household spirits often resided in this magical place that was essentially a portal between our world and the other world. So it was especially important to have rituals and traditions that protected the hearth from bad spirits, and honored the resident good spirits. Charms, talismans and symbols were frequently used.

Right after reading about this, I started noticing something interesting as I wandered though my Portland neighborhood. Many of the older 1920’s homes have a brick lozenge or diamond symbol on their exterior chimneys. It is crazy that I have been in Portland for over 15 years and only just noticed this. But the more I look around me, the more traces I see of an Old World protection-symbol tradition that is still going all these years later, somehow persevering through Christianization, witch hunts, emigration, and industrialization. Architecture seems to have done a particularly good job of preserving some of the old traditions, even if people no longer remember the original purposes/meanings.

Here is a lozenge shape I found a block from my house


The lozenge is often said to be a female or fertility symbol, and it is often used in embroidery and tablet woven bands around the neck and sleeves and bottom of traditional European clothing. By protecting the openings of clothing, it protects the wearer. It also protects openings between this world and the other world, such as the chimney, as just described, or say, the opening we all pass though during childbirth, (going back to the female/fertility symbol link).

It is also a rune. The earliest form of the rune “Inguz” is a diamond or lozenge shape. (Later versions of the Runic alphabet changed the Inguz, Ingwaz or Ing rune to have the shoots at the top, and the root shapes at the base). Ingwaz is a Germanic god, commonly linked to the Vanir and agriculture. Ing can also mean hero. But the lozenge symbol is older than agriculture. In ñ€ƓEssential ÁsatrÃÂș : walking the pathñ€, Diana L. Paxson offers the theory that the Inguz rune represents a seed, and the fertility aspect of the god Freyr, (meaning “Lord”), and which is said to be another name for Ingwaz. But people were planting seeds even before agriculture.

So to summarize, we have the lozenge protection symbol/rune that can either be a female symbol protecting/symbolizing openings, or a male symbol/rune symbolizing the seed or “generative element”.

Break the rune into two parts, and we have a combination of male and female symbols: /\ is similar to the upwards pointing arrow (or spear) rune for Tiw/Tyr/Tiwaz, the sky god. / points to earth and the underworld, or earth mother. And long before Germanic the Germanic/Nordic pantheon that we are familiar with today, out ancestors honored the sky and the earth, and the life that came from their union.

So even though we have fallen from the path of our ancestral culture, look around–there are traces of it everywhere, hidden in plain sight.

P.S. Make note of the “O” rune above, for “inherited land”. Later it came to mean “estate”, (see below for a more modern version of the runic alphabet), but at it’s essence, it appears to be a symbol for life/male+female/man+woman, but with roots. Life rooted in the land.

It is well worth examining the old runic alphabet and meanings to find clues about the things were central to our ancestors’ world.